課程大綱

課程資訊

課程名稱	西方音樂與亞洲 Western Music and Asia
開課學期	102-1
授課對象	文學院音樂學研究所
授課教師	陳人彥
課號	Music5093
課程識別碼	144EU1210
班次
學分	3
全/半年	半年
必/選修	選修
上課時間	星期一6,7,8(13:20~16:20)
上課地點	樂學館105
備註	本課程以英語授課。限學士班三年級以上總人數上限：15人
Ceiba 課程網頁	http://ceiba.ntu.edu.tw/1021wma
課程簡介影片
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課程大綱
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課程概述	This course explores the history of European music’s presence in East Asia, examining both the musical practices, styles, and institutions and the cultural ideologies associated with this “great encounter.” It will focus in particular on religious and political missions from Europe between the sixteenth and eighteenth centuries, among which that of the Jesuits counts as especially significant.
課程目標	A major goal will be to develop useful conceptual frameworks for explicating the complexities of the meeting of highly disparate cultures, going beyond platitudes such as “mixture” and “fusion” to examine detailed theories of hybridity, assimilation, exoticism, and ambivalence (among others), drawn from writings in the fields of cultural studies and postcolonial studies.
課程要求	Class meetings will focus on discussions of assigned readings. These readings will be drawn from the bibliography listed below, and posted on CEIBA course website. In addition, there will be a semester project, on a related topic of your choice, which will culminate in a final presentation and paper.
預期每週課後學習時數
Office Hours	每週四 16:00~18:00
指定閱讀
參考書目	Allsop, Peter and Lindorff, Joyce. “Teodorico Pedrini: The Music and Letters of an 18th-Century Missionary in China,” Vincentian Heritage 27/2 (2008), 43-59. Chiu, Wai Yee Lulu. The Function of Western Music in the Eighteenth-Century Chinese Court (Ph.D. dissertation, The Chinese University of Hong Kong, 2007). Fang Hao. Zhongxi jiaotong shi (中西交通史, History of Chinese-Western Exchange) (Taipei, 1953). Harich-Schneider, Eta. A History of Japanese Music (London, 1973). Irving, David. “The Dissemination and Use of Music Books in Early Modern Asia,” Early Music History: Studies in Medieval and Early Modern Music 28 (2009), 39-59. Idem. Colonial Counterpoint: Music in Early Modern Manila (Oxford, 2010). Idem. “Lully in Siam: Music and Diplomacy in French-Siamese Cultural Exchanges, 1680-1690,” Early Music 40/3 (2012), 393-420. Lindorff, Joyce. “Missionaries, Keyboards and Musical Exchange in the Ming and Qing Courts,” Early Music 32/3 (2004), 403-14. Idem. “Burney, Macartney and the Qianlong Emperor: The Role of Music in the British Embassy to China, 1792-1794,” Early Music 40/3 (2012), 441-53. Nettl, Bruno. The Western Impact on World Music: Change, Adaptation and Survival (New York, 1985). Tao Yabing (陶?兵), Zhongxi Yinyue Jiaoliu Shi Gao (中西音樂交流史稿, Draft History of Chinese-Western Musical Exchange) (Beijing, 1994). Woodfield, Ian. “The Keyboard Recital in Oriental Diplomacy, 1520-1620,” Journal of the Royal Musical Association 115/1 (1990), 33-62. Yamprai, Jittipim. The Establishment of Western Music in Thailand (DA diss., University of Northern Colorado, 2011).
評量方式 (僅供參考)

課程進度

週次	日期	單元主題
Week 1	9/09	Introduction
Week 2	9/16	The Globalization of Western Music
Week 3	9/23	Books and Manuscripts as Medium of Dissemination of Western Music
Week 4	9/30	Instruments and Persons as Medium of Dissemination of Western Music
Week 5	10/07	Western Music in Diplomacy and Politics
Week 6	10/14	Chinese-Western Musical Exchange: General Background, I
Week 7	10/21	Chinese-Western Musical Exchange: General Background, II
Week 8	10/28	The Qing Imperial Court and Western Music Theory
Week 9	11/04	The Introduction of Western Music Into Japan
Week 10	11/11	No class (I'm in the USA; makeup class on 6 Jan)
Week 11	11/18	Western Music and Colonialism in the Philippines
Week 12	11/25	The Introduction of Western Music Into Thailand
Week 13	12/02	French Baroque Music in Thailand
Week 14	12/09	Final Presentations
Week 15	12/16	No class (I'm in Austria)
Week 16	12/23	Final Presentations
Week 17	12/30	Final Presentations
Week 18	01/06	Final Presentations